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The original director of The Naked Gun, David Zucker, has renewed his verbal assault concerning the recent reboot featuring Liam Neeson, following a short period where he seemed to adopt a more conciliatory tone following the premiere of the film's theatrical release.

Director's Disapproval of the Reboot's Comedy Approach

In a recent interview, Zucker stated that Seth MacFarlane, the creative force behind the new Naked Gun and formerly the director and co-writer of the Ted movies, "totally missed" the spoof-comedy style that Zucker, together with his partners Jerry Zucker and Jim Abrahams, popularized in Airplane! and the initial trilogy of Naked Gun films.

"My brother, Jerry, and our partner, Jim Abrahams, began creating spoof comedies five decades in the past, and we originated our own style – and we executed it so effectively that it looks easy, evidently. People started copying it, like the new film's producer for the new Naked Gun. He totally missed it."

He added: "It might appear that we're just throwing stuff up against the wall to see what sticks, but we're not. Consideration is involved."

Leslie Nielsen's Legacy

The director further stated that it was futile to make the movie without Leslie Nielsen, who played Frank Drebin and who died in 2010, saying: "They attempted to substitute Leslie Nielsen in the new Naked Gun, and he cannot be replaced. No one else can do that."

Previous Reservations and Shifting Tone

Zucker had previously objected to plans to go ahead with a Naked Gun reboot, remarking last year that he was "not enthusiastic regarding having the franchise given to other people". Adding: "I have not been approached to make a cameo or participate in scripting. Regardless of if they're going to succeed with it, this style of parody, I mean it's not rocket science, but it's not easy."

However, after a series of favorable critiques and strong box office returns after its release in August, Zucker struck a more conciliatory tone, commenting: "I'm excited about it because it just shows that there's a strong market for comedy in cinemas, and parody specifically."

Renewed Disapproval Over Financial Aspects

Yet, Zucker resumed his criticism in the recent discussion, questioning the financial investment. "Big budgets and comedy are opposites, and in the new Naked Gun, you could see that they invested heavily on scenes full of technical pizzazz while trying to copy our style."

He added: "Everybody's in it for the money now, and that seems to be the sole motivation why they wanted to do a new Naked Gun."